What is wildstyle graffiti3/20/2024 The ‘Wild Style’ logo was designed by Zephyr and painted as a huge ‘burner’ mural by Zephyr, Revolt, and Sharp in the Summer of 1983 (3). The Dondi piece was the inspiration for the animated title sequence designed by the artist Zephyr in 1982. An early version of the ‘Wild Style’ logo appeared in the Fall of 1981 when Charlie Ahearn hired graffiti legend Dondi to paint the ‘window down’ subway car piece that appears in the film. The protagonist “Zoro” is played by the legendary New York graffiti artist “Lee” George Quinones. Released theatrically in 1983 by First Run Features and later re-released for home video by Rhino Home Video, the movie was directed by Charlie Ahearn (director of the feature films Deadly Art of Survival and Fear of Fiction) and featured Fab Five Freddy, Lee Quinones, the Rock Steady Crew, The Cold Crush Brothers, Patti Astor, Sandra Fabara and Grandmaster Flash. Wild Style was the first hip hop motion picture. Getting one’s style mastered is key to achieving this success. Veteran artists tend to go for more complicated forms of wildstyle in which the types are hard to read but broad in creativity. Many artists have different elements to add to their wildstyle that gain that writer a good deal of respect within the graffiti scene, especially if one creates his own style and stays original and creative. It has also been common practice to incorporate 3D elements into the pieces, and even transform the whole letter structure into three dimensions, to add to the depth of visual perception of the work. Wildstyles commonly include a set of arrows, curves and letters which have been so transformed as to be rendered arcane to the eyes of non-graffiti artists. The original pioneers of wildstyle were Tracy 168 and Stay High 149, and later such notables as Zephyr and Fate 170 advanced the highly personalized style. Wildstyles are seen as one of the most complicated and difficult tags and are often used to get an artist’s work seen (rather than to put a political message or any other kind of message across). Wildstyle pieces are also known as “burners”, meaning “hot” as fire. The numerous layers and shapes make this style extremely difficult to produce homogeneously, which is why developing an original style in this field is seen as one of the greatest artistic challenges to a graffiti writer. It may include arrows, spikes, and other decorative elements depending on the technique used. Usually, this form of graffiti incorporates interwoven and overlapping letters and shapes. Due to its complexity, it is often very hard to read by people who are not familiar with it. Unless you can do the math, that is.Wildstyle is a complicated and intricate form of graffiti. The shared aspect of all graffiti wildstyles is that they have been pushed past the border of readability into the incomprehensible - camouflaged to the point where they are far outside of their viewers' consciousness. They have a common link, in that they have deviated/developed from the basic letterforms, but stayed within the realm of readability. The basic traditional styles are those easy-to-read (with the exception of Gothic, script and some decorative) typefaces that we are all used to seeing in advertising, publishing, and other popular design. These styles and many more have been incorporated into the arsenal of the modern graffiti writer. Of course, even the bare letter at the end of that process has its own natural characteristics - whether minuscule or majuscule, serif or sans-serif, Art Deco, Victorian, Gothic, modern-influenced, or something entirely new. This means that, after the viewer has " reverse-engineered" the style of any one letter in a wildstyle graffiti piece, they may apply the same steps to the other letters of that piece and end up with the same result - a decoded letter. That is because these styles each depend on a unique set of geometric relationships and operations, including translation, rotation, glide symmetry, and scaling, to achieve their particular "look", although regional/localized styles may impose similar rules and operations on many writers in a particular area. However, once you can read one letter of a person's particular wildstyle, you should be able to decipher them all. In the vocabulary of graffiti styles, wildstyle is considered the most visually complex, and generally the hardest to read.
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